Robert Saslow Design

Robert Saslow Design Robert Saslow Design specializes in the creation of calligraphy, ketubot and baby-naming certificates

From the RSD Archive: I made this baby-naming certificate for my great niece Sophia when she was born 15 years ago. She ...
02/26/2026

From the RSD Archive: I made this baby-naming certificate for my great niece Sophia when she was born 15 years ago. She stands on the shore of the East River in New York, swirling with the same pattern I drew on her parents' wedding invitation. She proudly holds an owl, symbol of wisdom (meaning of her first name), and a bluebird (symbol of joy), and quite frankly, I can't for the life of me remember why she is gesturing a 4 and a 2 with her hands (maybe since she was born at 4:02 with the sun as the 0?). I'm open to suggestions!

It is only occasionally that I create a County scroll for someone I know. I created  in honor of a friend's 100th birthd...
11/18/2025

It is only occasionally that I create a County scroll for someone I know. I created in honor of a friend's 100th birthday, and was blessed to present it to her in person. I don't always feel confident with italic flourishes, but I think the ones on this piece came out pretty good.

From the RSD Archive: This month marks the 30th Anniversary for this couple who married in September 1995!The double spi...
09/18/2025

From the RSD Archive: This month marks the 30th Anniversary for this couple who married in September 1995!

The double spiral depicts their life since coming together, from the most distant on the outside, and most current toward the center.

One spiral is more literal, moving from meeting in Israel, to their inner work with the self-help "What Color is Your Parachute?", to building a home together, to working together at a camp, to the peace of weekly Shabbat celebrations.

The other spiral depicts a journey through life in fabric: coming together as two swatches, interweaving, becoming linens for a home, to the patchwork of an intermeshed life.

A ring of wisteria at different stages of its bloom cycle rings their vows.

I adore doing calligraphy and lettering. These are some examples of working and playing with letterforms.
06/04/2025

I adore doing calligraphy and lettering. These are some examples of working and playing with letterforms.

From the RSD Archive: This baby-naming certificate from 2002 was a gift for my friends Susan and Nicole's first son. As ...
05/16/2025

From the RSD Archive: This baby-naming certificate from 2002 was a gift for my friends Susan and Nicole's first son. As in the certificate I made for their second son Max (also in this album), I put the boy in "lederhosen" that look like the kind Maria von Trapp made from the curtains in "The Sound of Music" (both Nicole and I are huge SofM fans). He holds two orbs of light (his middle name Lucas--Lior in Hebrew--comes from the word "light"). The design and lettering evoke Klimt and Vienna since those are my favorites too. At the bottom, probably too small to read here: "We worry about what a child will be tomorrow, yet we forget that he is someone today."

11/01/2024
From the RSD Archive: "Synthesis" (2013) was created as a glyph study. I took opposite adjectives describing people (fan...
09/30/2024

From the RSD Archive: "Synthesis" (2013) was created as a glyph study. I took opposite adjectives describing people (fancy/plain, hard/soft, etc.) which had the same number of letters, and created a new glyph from a combination of the letters in those two words. The new "word" sits in the middle of the other two, is bolder, more colorful.

My intention with this piece was to underscore that none of us is all one thing or another. Not all good or all bad, all pure or all evil. Everyone is a synthesis and on a continuum between any set of qualities. And that is what makes us more interesting.

This piece can be hung upside-down and I occasionally flip it over for a new perspective of it. The large gold word in the middle, SYNTHESIS, is itself a synthesis and can be read upside-down or right-side up.

From the RSD Archive: 1994 was my busiest year for ketubot. This one was an anniversary ketubah done for the parents of ...
06/03/2024

From the RSD Archive: 1994 was my busiest year for ketubot. This one was an anniversary ketubah done for the parents of a couple whose own ketubah I created. It has always been one of my favorites. The more modern symbols in a ring around the text are symbols the various Jewish festival. If you're savvy and know Hebrew script, you might be able to find the five letters of the word "mispacha" (family) hidden in five of the symbols!

Buona Festa della Republica, Italia!Happy National Day, Italy!Got to create this scroll for the Italian Consulate here i...
06/03/2024

Buona Festa della Republica, Italia!
Happy National Day, Italy!
Got to create this scroll for the Italian Consulate here in Los Angeles. Of course, OLIVES on it...cuz I love me some olive oil!!

TEN years ago I began an exciting new chapter in my life: I was hired as a full-time calligrapher for the County of Los ...
05/02/2024

TEN years ago I began an exciting new chapter in my life: I was hired as a full-time calligrapher for the County of Los Angeles. In terms of what the job entailed and what my skill set was at the time, it was a perfect match. I'm celebrating with TEN of my favorite scrolls from over the years (if you follow me on FB, you've probably seen some of these...), as well as TEN musings on my job.

1. I LOVE my job. I feel eternally blessed to be one of those fortunate folks who loves going to work.

2. I get to do ART for a living...and get paid for it. What a blessing is THAT! Not just any art, but I get to nerd out doing calligraphy! I get excited creating a beautiful Roman M or a well-balanced Italic W with a perfect flourish.

3. I can't say for certain--because it is less than once or twice a year that I get feedback from the recipients of my work--but I'm pretty sure that people like getting a handmade scroll, by ANY of the talented artists in my office. And that is a GREAT feeling: knowing that, in the end, my job is about brightening someone's day, while adorning her or his wall.

4. It's humbling to reduce the amount of ego in my work...I don't sign my pieces. I just have to do the best I can on each piece, and be okay with that. It makes me think about all the nameless, faceless people who had a hand in creating the stuff that makes MY life better.

5. You wouldn't know it if you only listen to the evening news or read the paper, but there are a LOT of people doing magnificent works to make this a better, cleaner, more equitable and just and fair world. I'm honored to honor them!

6. I love being part of the lineage carrying on what people think is a dying art: calligraphy. I grateful that the five Supervisors of Los Angeles County think that this is important to keep alive. Our studio is well known and well respected in the calligraphy community.

7. It's great working around other artists! Until age 50, I earned a living being a freelance artist working on my own. Which has its ups and downs. One of the "downs" is not being around other artists on a regular basis. I'm inspired by my colleagues and their immense talent!

8. It's pretty cool having a job that VERY few people in the country have. We did a deep dig a few years ago and found that there were only THREE governmental offices in the whole United States that employ calligraphers: one is the COUNTY of Los Angeles, the second is the CITY of Los Angeles (right down the block from our office), and the third is the WHITE HOUSE! I hope I'm wrong about this and that it has changed to become more...

9. It's great having a job that allows me creative freedom...to an extent. I like having boundaries, but it is fun being able to grow and improve. My calligraphy is SOOOOO much better now than it was ten years ago, mostly because I get to do it every day. Over and over and over again.

10. I will NEVER become a rich man doing this work. I'm a public servant with a modest salary and good benefits for me and my husband. There is only ONE step to a modest promotion, and coincidentally, that happened just last week because of the recent retirement of a senior colleague. So, I'm happy to move into my second decade at this job as Senior Graphic Artist-Calligrapher. I don't think it will be ten more years there, but who knows!?

From the RSD Archive: This b'nei mitzvah invitation from 2008 was for twins living in Wisconsin. The design has two tree...
01/31/2024

From the RSD Archive: This b'nei mitzvah invitation from 2008 was for twins living in Wisconsin. The design has two trees along the shore of a lake with a flowing unfurled torah scroll winding between them. The letters of the names of both the kids are hidden in the pine needles of the trees. Can you find them?

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Panorama City, CA

Telephone

+18188041681

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